The EDC organise several community events each year:
Table of Upcoming Events
You can subscribe to our email notification service in order to receive information about all of our forthcoming events.
Our Annual Early Dance Festival
We host a community focused dance history festival each year; enthusiasts and professionals from across our community perform for each other’s pleasure. A list of our previous festivals can be found here.
EDC 37th Annual Festival, Friday 16th to Sunday 18th October 2020 – online!
The EDC Virtual Festival 2020 reached out to almost 200 people from many countries, including Australia, Japan, the USA and across Europe. Did you miss some of it? Or would you like to watch again? NOW YOU CAN! Here is the link.
Just log on to the Early Dance Circle’s YouTube channel
We have put all the YouTube Premieres of groups dancing up, under various titles. There are between 4 and 6 presentations in each Premiere and the contents of all of them are listed in the Programme for Friday 16 October to Sunday 18 October.
Click here to view the Detailed Festival Programme.
We are adding the Lectures and some edited Zoom highlights soon, so keep a lookout for more.
The Lectures included Richard Powers (Stanford University) on the 19th century craze Polkamania, with many many pictures and much rather amusing source material, and also Sarah Deters from Edinburgh University on 500 years of Music and Dance, with again many pictures and some wonderful sound clips.
We hope you enjoy watching.
Our Annual Lecture
We host a popular dance history lecture each year. An archive of information on our previous lectures can be found here. What follows are details of our next Lecture.
EDC Annual Lecture 2021
I had to fight with the painters, master carpenters, actors, musicians and the dancers: Rehearsals, Performance Problems and Audience Reaction in Renaissance Spectacles
Sunday 21st February 2021 10.00 a.m.; this lecture will be hosted via Zoom
Our speaker is Dr Jennifer Nevile. In Renaissance Europe theatrical spectacles performed in front of the monarch and court carried serious political messages regarding the relationship – both real and hoped for – between the monarch and the state. Contemporary accounts of these events often offer fulsome praise for the costumes, dancing, scenery, stage machines and songs. A successful performance greatly enhanced a country’s reputation on the international stage. Much more was at stake than an evening’s entertainment.
Yet then, as now, such multi-media events encountered problems during rehearsals and performance. These form the focus of this paper, followed by an examination of the response of the spectators to such disasters. Did performance problems change the dynamics between performers and spectators? This is especially interesting when the king, queen or members of the ruling family were involved, either directly as dancers, or indirectly as the audience member to whom the spectacle was addressed. The paper begins with a discussion of the desire in European courts for a successful outcome, and what efforts went into achieving this aim, before moving to the disasters that occurred, from noise and over-crowding, stage-fright, properties too big to fit into the hall, and more serious catastrophes such as fire. The second half of the paper examines audience reactions to such disasters, and the effects of these disasters on the dynamics between audience and performers.
Jennifer is Honorary Senior Lecturer at the University of New South Wales and esteemed author of many books on Renaissance dance, including The Eloquent Body: Dance and Humanist Culture in Fifteenth-Century Italy (2004) and Dance, Spectacle and the Body Politick, 1250-1750 (2008) and very much else.
How to Book: Tickets are free via Eventbrite, with a suggested donation of £5 (or more). You can donate on Eventbrite or by sending a cheque to the email@example.com. The booking link is https://tinyurl.com/EDCLecture2021. It is also on our Facebook page.
Our Biennial Conference
The EDC hosts a major dance history conference every two years. Proceedings are published and an archive of information on our previous conferences can be found here.
EDC BIENNIAL CONFERENCE 2022: Retrieving & Reconstructing the Past through Dance (postponed from 2020 and again from 2021)
6th-8th May 2022, at St Katharine’s, Parmoor, Frieth RG9 6NN (near High Wycombe)
This Conference will feature an international set of speakers on historical dance topics spanning the 15th century to the 20th. A list of contributors and topics will be included on the Booking Form in due course.
NEW! While waiting for the Conference please join us for the special online lecture by Professor Margaret McGowan “The Interplay of Professional and Amateur Dancers in Early Modern Festivals” on Friday 28 May 2021 at 8:00 pm BST. More details HERE.
NB The Proceedings of the EDC Conference for 2018: PERCEPTION AND RECEPTION OF EARLY DANCE, which was held 18-20 May 2018 at St Katharine’s, Parmoor are now available to order. Please see more details HERE.
We host and collaborate on other events from time to time. These can include workshops, study days and additional lectures, as the opportunities arise. Many such projects are undertaken in collaboration with another organisation, do get in touch with us if you have a joint project in mind. An archive of information on our previous special events can be found here. What follows are details of our next Special Event.
The 2020 Celebration of the Music & Dance of Ignatius Sancho
Monday December 14
The premiere of the programme was on the EDC Facebook page and YouTube channel, it remains available to watch now. You can see the video here: https://www.youtube.com/watch?v=IOnjOprUWs0.
The Early Dance Circle has prepared a special programme of dance and music composed by Ignatius Sancho (c. 1729 – 14.12.1780) on 14 December 2020.
Sancho is famous nowadays as a man of letters and the first African to vote in a British election. Now you can enjoy reconstructions of Sancho’s choreographies and music by the Hampshire Regency Dancers, Quadrille Club and Green Ginger, as well as discussions and interviews with some knowledgeable experts on his career:
Meryl Thomson (Green Ginger), who recently recorded the CD “Dances for a Princess”. Paul Cooper, a specialist in Regency dance, who has worked a good deal on Sancho. Sally Petchey, author of a recent book about the life and dances of Ignatius Sancho: Dances for a Princess, humbly dedicated (with permission) to the Princess Royal by Her Royal Highnesses Most Obedient Servant Ignatius Sancho.