Regularevents organised by the EDC

 

·        The EDCAnnual Festival

Thisone-day event, hosted by different Early Dance groups around thecountry,provides the opportunity to meet and dance with friends, to show yourlatestwork and to see that of others. The Festival itself is always on aSaturday, inthe autumn, and there are often associated activities on the Fridayevening orthe Sunday morning. These have included lectures and visits to localmuseums,country houses or costume collections.

The next Festival

PastFestivals

·        TheEarly Dance Annual Lecture

This lecture, givenin London, is open to all - and free.

The Annual Lecture isusually held on the third Friday in February. An eminent speaker is invited to talk on a topic relevantto Early Dance. The aim is to promote Early Dance to a wider audience andto demonstratethat it is a serious field of study. 

Thelecture is followed by an opportunity for informal talk.

The next Lecture

PastLectures

Thetext of the most recent Lecture

 

·        TheEDCBiennial Conference

This is a one-dayevent often held on the Saturday following the Early Dance Lecture. A number of speakers address a topic (a theme or aspecific period)relevant to the study and appreciation of Early Dance. The programme usually includes some practicaldemonstration of dancing. 

TheProceedings are published (see Publications).

The next Conference

Past Conferences

·       One-offevents organised by the EDC

Workshops, study daysand additional lectures are also arranged as opportunity offers. For the most part, however, there are now enough events ofthis kindorganised by local groups and individual teachers to make nationalinitiativessuperfluous.   

Future events of allkinds are notified in the Diaryof Early Dance Events.  

Events organised bythe EDC will be found at Forthcoming EDC events.

 


ForthcomingEDC Events

 

  • 17th February, 2012  7.15 p.m.
    2012 EDC Annual Lecture
    Dr Irene Brandenburg, University of Salzburg
    “Dance in eighteenth-century opera:
        Gluck, Mozart and Idomeneo”

    featuring a DVD of a “reconstruction” of the Chaconne in Idomeneo,
    made by Claudia Jeschke and Sibylle Dahms with dancer Rainer Krenstetter.

    Venue - The Hall at the Art Workers Guild, 6 Queen Square, WC1N 3AT
    With the
    generous financial support of the Austrian Cultural Forum London.
    For further information and to reserve your free place, please contact
    Sharon Butler (020 8699 8519)  or  Barbara Segal (020 7700 4293)


 

 

  • Friday, 16th-18th March, 2012
    EDC Biennial Conference 2012
    Dance and Society
    Venue -
    Farnham Castle, Castle Street, Farnham, Surrey GU9 0AG
    To include a ball on Saturday evening
    For further information, please contact:
    Barbara Segal (020 7700 4293)


Past EDC events

 

AnnualFestivals

1984     29 September          LONDON,The Camden Centre

1985    15 September       LONDON,Porchester Hall, Bayswater

1986     13September           LONDON, Porchester Hall, Bayswater

1987     31October               LONDON, Porchester Hall, Bayswater

1988     15October               LONDON, Porchester Hall, Bayswater

1989     14October               NELSON, Silverman Hall

1990     13October               STRATFORD-UPON-AVON, Town Hall

1991      5October                LONDON, All Saints Arts Centre, Barnet

1992     10October               WORCESTER, The King’s School

1993     30October               BROMLEY, The Ravensbourne School

1994       1October          OXFORD, Gosford Hill School, Kidlington

1995     14October               LONDON, Ealing Town Hall

1996     12October               CAMBRIDGE, Long Road Sixth Form College

1997     18October               WATFORD, Queen’s School, Bushey

1998     17October               ROCHDALE, Town Hall

1999      9October                PLYMOUTH, College of St Mark & St John

2000     14October               FARNHAM , Frensham Heights

2001     13October               EDINBURGH, The Edinburgh Academy

2002     19October               LUDLOW, The Assembly Rooms

2003     11October               BATH, Kingswood School

2004     17October               ROCHDALE , Town Hall

2005        9 October             NORWICH, Assembly House, Norfolk

2006     21 October          CANTERBURY,  St. Edmund’s School

2007     13 October         STRATFORD-UPON-AVON, King Edward VI School

2008     18October               HARROGATE, Ashville College

2009     16October               CAMBRIDGE, Long Road Sixth Form College

2010     29October               BROMLEY, Ravens Wood School

2011     15October               ROCHDALE, Town Hall
 

 

EarlyDance Lectures 

1988  Belinda Quirey               
                                       ‘Bel Salto’
                                        The Place, StPancras, London

1989  MollyKenny               
                                       ‘Claims to a Dance Inheritance’
                                       ByronTheatre, Old Cavendish Street, London

1990   PeterBrinson               
                                       ‘The Nobilityof Dance’
                                       CentralHalls, Westminster, London

1991   PeggyDixon                 
                                       ‘Early Dance in Perspective’
                                       RoyalAcademy of Dancing, London

1992    MaryCollins                
                                       ‘Early Dance in Education’
                                       StBride’s Institute, Fleet Street, London

1993     ---------------

1994    JoanRimmer                  
                                       ‘On the Coranto’
                                       StBride’s Institute, Fleet Street, London

1995     RogerSavage                
                                       ‘Purcell and Theatrical Dance’  
                                       StBride’s Institute, Fleet Street, London

1996     MargaretMcGowan      
                                       StBride’s Institute, Fleet Street, London

1997     StanleyGlasser      
                                       StBride’s Institute, Fleet Street, London

1998     JeremyBarlow                 
                                       ‘The Minuet Remembered’
                                       StBride’s Institute, Fleet Street, London

1999    PeterHolman                    
                                       ‘When is a Dance not a Dance?’
                                       StBride’s Institute, Fleet Street, London

2000     JackEdwards                     
                                       ‘Staging 17th- and 18th-century Baroqueopera’   
                                       StBride’s Institute, Fleet Street, London

2001      GeraldineStephenson       
                                       ‘Swirling Skirts Fill the Screen’
                                       StBride’s Institute, Fleet Street,London

2002      BarryGrantham                 
                                       ‘The Dancer as Actor:  lessonsfrom the Commedia dell’Arte’
                                       StBride’s Institute, Fleet Street, London

2003      DavidWilson                     
                                       ‘But how do you know howthey danced so long ago?’
                                       StBride’s Institute, Fleet Street, London

2004      Ellis Rogers                        
                                       TheImage in the Mirror - social dance as the reflection of its society.
                                       StBride’s Institute, Fleet Street, London

2005      BarbaraSegal                      
                                       Heroesand Harlequins: Dance & Pantomime on the English Stage
                              in the early 18thcentury.
                                      StBride’s Institute, Fleet Street, London

2006      AnneDaye                      
                                       ‘The Queen's Revels: Henrietta Maria and theStuart masque
                                      StBride’s Institute, Fleet Street, London

2007      Dr.Anne Bloomfield     
                                       ‘Agentof the Enlightenment: The significance of the Dancing Master
                              in creating a civilised society in the 18thcentury.
                                       StBride’s Institute, Fleet Street, London

2008      Ian Chipperfield - Staymaker:     
                                       ALaboured Hoop to Ornament the Fair
                                        comparing andcontrasting the 16th C. Farthingale, the 18th C. hoop
                                        and the 19th C.Crinoline, their affect on deportment and movement

                                       StBride’s Institute, Fleet Street, London

2009      HumphreyBurton, CBE                      
                                       ‘Fun and Fancy Free - Leonard Bernstein and dances fromHistory.’
                                      StBride’s Institute, Fleet Street, London

2010      Barbara Sparti                      
                                       
THE MULTI-FACETED MORESCA, The ItalianTradition of Pantomimic Ballet
                                      
TheArt Workers Guild,London

2011      Georgina Boyes                     
                                       
“…our dancers will appear”: Popular culture and early recordsof English traditional dance.
                                      
TheArt Workers Guild,London

 

Concert

10thNovember 1990

‘StepStately:  a Measurein Time’

TheCommonwealth Institute, Kensington, London

AnEarly Dance Show with dancers in period dress, music on periodinstruments andwords from period texts.

Aprogramme of 40 dances was performed by a troupe of 70 dancers, drawnfrom 13dance groups, with 21 musicians and readings by 2 speakers.

 

YouthDance Competition for Young People 2005-2006

February2006

 

Big Dance Week

5-13th July 2008

3-11th July 2010

 

Conferences

5thApril 1997

‘BelindaQuirey and Historical Dance’

BirkbeckCollege, London

PhrossoPfister        ‘Belinda Quirey, MBE: gloriouseccentric’

AnneDaye        ‘Historical Dance in Higher Education’

VelmaPursehouse      ‘TheBelinda Quirey Memorial Fund’

AnnHutchinson Guest        ‘Belinda Quirey: anappreciation’

DianaCruickshank    ‘“We’ve got a carriage!” ’

PeggyDixon        ‘Historical Dance – past, present andfuture’

BrianTrowell        ‘Some memories of Belinda Quirey’

Forthe proceedings, see Publications

 

 

27thFebruary 1999

‘Educationand Early Dance’

RoyalSociety of Arts, London

JohnHarland        ‘Effects and effectiveness of the teaching ofDance in schools’

MaryCollins        ‘ “The Art that All Other Arts DoApprove” ’

JudySmith        ‘Dance teaching packs: guidelinesfor producers’

AnneBloomfield        ‘The dancing children of Clifton Hall’

JuneMcKay        ‘Blind Dance’

NicolaGaines ‘Early Dancein the preliminarytraining of children in Classical ballet’

DianaScrivener ‘Settingthe stage for EarlyDance’

CatherineBowness ‘From goalsand scrums tomediaeval drums:  conversionin anon-dancing society’

Forthe proceedings, see Publications

 

 

23rdFebruary 2002

‘TheRestoration of Charles II:  publicorder, theatre and dance’

BanksideHouse, London

RoySherwood ‘Cromwell’sMerry England’

JohnMiller ‘Back tonormal?  Governmentand society in Restoration Norwich’

AnneDaye ‘Theatre dancein the private andpublic domains of Stuart and Commonwealth London, 1625-85’

JeremyBarlow ‘“Mockmusick” and survival ofantimasque traditions in the Restoration theatre’

MoiraGoff ‘Shadwell,Saint-André and the“curious dancing” in Psyche

Forthe proceedings, see Publications

 

21st February, 2004

The GreatDivide?:   A Conference to Explore the impact of theFrench Revolution on Dance, Costume and Culture

St. Bride Institute,London

Clarissa Campbell Orr

The French Revolution as a cultural event

Sarah Nixon Gasyna

Looking like Death: dress and allegory at the Balsà Victime

Ellis Rogers

Changes in the ballroom repertoire initiated by theFrench Revolution

Elspeth Reed

Dancing with Jane Austen

Frances Tucker

Styles of dress in France and England from theFrench Revolution to the Regency

 

There was also a demonstration by the Jane AustenDancers

Forthe proceedings, see Publications

 

25th February, 2006

Masks, masques andmasquerades: a living tradition

St. Bride Institute,London

YanaZarifi

Greeksatyr dances, ancient and modem

KarlToepfer

Masksin the ancient Roman pantomime

DanielTércio

Moreschidances in the history of Portugal

AnneDaye

Masquingvizards

BarbaraSparti

Themask in the dance etchings of G. M. Metelli (1634-1718)

BarbaraSegal

Masqueradeballs in 18th-century England

MargaretColdiron

Maskedperformance in Bali and Japan

FrancesTucker

Methodsfor making masks

Forthe proceedings, see Publications

 

23rd February, 2008

Dancing Master or HopMerchant? The role of the dance teacher through the ages.

St. Bride Institute,London

FrançoiseCarter

Changingattitudes to dance through the ages

WilliamTuck

Dancingmasters in 15th C. Burgundy

AnneDaye

Danceand education in the 17th C. - a report on work in progress

SydneyAnglo
 

FencingMasters, Dancing Masters, and Drill Masters.
Experiments in the Notation of Movement

MadeleineInglehearn

DancingMasters: Professionals or Businessmen?

JenniferThorp

Scholars,apprentices and dance training, 1700-1750

MoiraGoff

TheAdroit and Elegant Monsieur Nivelon

GrainneMcArdle

DancingMasters in 18th C. Dublin

SheilaDickie

Danceteaching in London from the 1890s - 1920s

JeremyBarlow
 

"J'aydeffault de la dance".
The place of Arbeau's Orchésographie in histories of westernsocial dance

 

Forthe proceedings, see Publications

 

20th March, 2010

Dance andHeritage: Creation, Re-creation and Recreation

AllSaints Pastoral Centre, London Colney, St. Alban

KlausAbromeit

LittlePunch meets Alexander the Great - Lecture/Demonstration

JeremyBarlow

Picturingthe Past: Later illustrations of the dance in the garden from
Le roman de la rose (c1230).

CathieBowness
 

PastPerformance: A review of intentions and outcomes, in three acts
-Lecture/Demonstration

GeorginaBoyes
 

Featurelessflannels and vulgar fichus: Problems of dress in the
English Folk Dance Revival

MichaelBukht

 

Bonnetsand Bullshit: the effect of popular and participative
culture on the interpretation, understanding and presentation
of early dance.

FrancesCampbell
 

Varietyis the spice of life - variations on the double step
- Lecture/Workshop

FrancoiseCarter
 

Theidea of cosmic harmony in late 16th
and early 17th-century court ballet

GrainneMcArdle

DancingMasters in 18th C. Dublin

IngolfCollmar

Emotionof an Echo - Performance of Modern Baroque

AnneDaye

Early[modern] dance and the genesis of [Early] Modern dance

Moira Goff Deadly Complaisance?Lecture/Demonstration
Tiziana Leucci
 
Théophile Gautier on MariaTaglioni’s ‘creation’ of theBayadère
character and the Indian Temple Dancers performing in Paris in 1838
Tiziana Leucci
 
From Dasi Attam to Bharata Natyam:re-definition and re-creation
of a South Indian dance style in the first half of the 20th century -Performance
Barbara Kane
 
Looking at Isadora Duncan’suse of Ancient Greek Myth, Muses
and Philosophy - Lecture/Demonstration/Workshop.
Jackie Marshall-Ward Dance Alive!
Cecilia Nocilli
 
Recreation of Historical Dance: aLegacy of the Collective I
magination of the Screen
Kimiko Okamoto
 
Two Sisters’ SeparatePaths: Early Dance and Early Music
in the Age of Postmodernism
Nira Pullin &
WilliamWilson
Everybody’s Doin’It - A Ragtime Workshop
 
Barbara Segal
 
John Weaver and John Rich:Re-creation versus Recreation
in 18th century Pantomime
Bill Tuck
 
“ChivalricHumanism” and the role of the basse danse in the
re-creation of a mythic past at the 15thC Burgundian Court
Tomasz Marcin Wrona
 
Court ballet intomilky–bar–arts’ times: a CulturalStudies’
view of dance reconstruction

 

Forthe proceedings, see Publications